I'm a Researcher, Designer and Developer in the areas of Musical Instruments and Medical Devices. I'm intensely curious about the nature of media, perception, communication and reality.
Recommended
listening! Viewing our present society's conditions as part of a
cyclical progression of natural, psychological changes. With large
influence from Machiavelli.
Reviewing the Pyramid Eel and reflecting on other instruments, I set my foot down in the sand and label the first Pyramid Eel "done." Watch the video to hear the full details!
I recently
upgrade the generators on my Electric Eel instruments to include optical
encoders. Check out this video to see how it works.
This
means I'll be able to measure the speed and acceleration of the bow,
leading to much more sensitive and expressive instruments. I've been
wanting to do this for YEARS and now it's finally happening...
Over the years of playing my generator-based Electric Eel instruments, I
have been enjoying how pushing them hard increases the sound volume.
It makes for sound so much more expressive than even my best MIDI
keyboards with aftertouch. It's slowly becoming apparent to me, though,
that if I had a better idea how fast the player is
pushing/sliding/bowing the generator, the sound could be even more
sensitive and expressive.
Early on, I tried to do this by
measuring the voltage on the temporary capacitors. That approach works
a little bit, but it doesn't change fast enough and different sound
outputs consume the voltage at different rates, so it's way too
entangled with the output sound, rather, than focused on what the player
is doing. Therefore, I decided to go WHOLE HOG and use an optical
encoder.
This wasn't an easy decision. These are more expensive
and the algorithms get much more complex. However, I am working again
and don't have children (my instruments are my children!), so I went for
it. And actually I had a nice surprise---- over the last ten years,
prices have come waaaaay down for these parts. What used to cost about
$300, can now be for only $40. Yes, it's hard to believe. It must be
through the mass quantities of these parts that get used in factories.
Anyway, I picked up two of them and I've been wiring them up and writing
code for them. Soon I'll be putting them right into the instruments. I
can't wait. It's going to be a whole new era. In the meantime, please
my newest video so you can share some the excitement that I'm going
through!
Enjoy the time-lapse vid and 80s synth-shread montage music and find out
New Synth Knob Multiplexer - 64 Analogs in one! Part 3
So you know I'm exactly
halfway in the middle of my 64-in-1 analog knob multiplexer project,
right? To keep it exciting, I did a "Soldering Challenge." Enjoy the
time-lapse video!
My bigger goal is to demonstrate
all 64 knobs at once, but that's so many circuit boards... and I just
got back from a sublimely relaxing vacation... so I decided to
challenge myself to build them all in one hour. If I succeeded, I
motivated myself with a relaxing swim at Walden Pond.
You've seen it run with 5 synthesizer knobs, but now the stakes are higher! I'm going to daisy-chain three of my circuit boards together. Then I'm going to run them at top speed.
And if that wasn't enough, I've been preparing a special treat, so watch through the second half of the video :)
I recorded the gorgeous, classic hymn "All Things Bright and Beautiful" on three different Electric
Eels! Lowest two parts are played on Bowed Eel. Violin 2 is played on
Blue Guitar Eel. Violin 1 is played on Red Saxophone Eel.
I really enjoy the sounds of harmony and I'm looking
for more players to make these recordings with on Electric Eels or other
DIY/DSP instruments.
Electric Eels return the nuance of movement to electronic instruments. I
free synthesizers from the desktop/laptop paradigm. I make them more
like acoustic instruments. They use no batteries, only the
energy generated by player movement backdriving stepper motors. So you
can take them anywhere and play all night. You don't have to recharge
them or wait for their software to upgrade. They do not connect to a
cell phone :) I developed them while at the MIT Media Lab in the Computing Culture research group.
First part was recorded into my phone and an iPad. Subsequent parts
recorded into phone while listening on iPad through headphones. Four
parts were synced up with an inexpensive, buggy video editor. Recording
took place over a six hour period on Saturday, July 13th. Cathartic
language has been deleted.
My inspiration was that I loved the sounds of electronic timbres,
but hated standing still at a laptop or MIDI sequencer. So I made
instruments that require you to move to make electronic sound, just like
acoustic ones... but I didn't "fake" it with sensors. The Electric
Eels have small electrical generators in them that require you to move
to generate that electricity to run the synthesizer and CPU in short
bursts.